Friday, 28 December 2007

Moira bhyatkaiya roise pachhaye porse jochhona.

"Madan khaborer kagojta khulte khulte mridu heshe bole, mrityur ekta romantic dik ache, tai aajkal majhe majhe bhabi morle kemon hoye?







Kichu hoye na he. Manish matha nare, morar modhye romantic kichu nei. Ekebare mota dager ekta byapar. Amader deshe goba pagla bole ekta lok chilo. Se gaito, monu re, baper khobor rakhla na, hyaye je moira bhyatkaiya roise pachhaye porse jochhona.







Ashlil! ashlil! (Madan)







Motei ashlil noye. Manish matha nare, ekdom ashlil noye. Pachhaye jochhona porar byaparta borong boroi korun. Mora torar kotha holei amar ei gantar kotha mone pore.















Neelu Hajrar hotya rohshyo, Shirshendu Mukhopadhyay.















Monish says "byaparta boroi korun" but i think the picture of moonlight bathing a dead man's bum goes quite a few steps towards romanticizing death. Why ,Shirshendu does that at the very beginning of the novel :















Nirjon ek nodi saradin elochule pa choriye boshe mrityurkorun gan gaye. Charidike nistobdho ek upotyoka, du dhare kalo paharer deyal uthe geche akashe. Ei birole shudhu majhe majke deergho swasher moto hu-hu batash boye jaye. Ajosro shada choto boro nuri pathor onor hoye pore ache. Khub shada, neerob, heem,oshar shob pathorer majhkhan diye nodi - uthsho nei, mohona nei. Saradin ekhane shudhu tar korun gan, mridu bilaper moto. Kichu nei keu nei. Shudhu harer moto shada pathor thake nithor hoye. Upotyoka jure ek mrityur sommohan. Elochule pa choriye boshe nodi obirol gan geye jaye.




"Sommohan" or hypnosis draws Baishampayan towards death. The very words korun, obirol, heem, elochul and above all nodi and neerjon bring the smell of the ultimate lonely and unknown aspect that sometimes or the other knocks at a somewhat fearfully neglected door of each and every person's mind. Monish who says he doesen't think the idea of death to be romantic at all himself cannot avoid mrityuchinta:



Aaj rate jodi more jayi.......... aaj rate tar khoob more jete ichha korche.



The Sommohan is not of death but the thought of death (mrityuchinta). The hypnotic charm thus continues it's work, leading Madan, Manish ,Baishampayan and me to think of that endless chasm, the mysterious woman with her heem nodiness who sings a song.



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